Blending documentary photography with an editorial feel

My clients value images that capture their weddings as it is; they prefer people-focused imagery, layered with atmosphere, joy and they value images that will be passed on. Memories for future generations.

What to expect

Weddings have a lot of moving parts, so I like to keep things seamless. Both in how I shoot and in booking.

On the day, I arrive early and leave late.

I prioritise observation and capturing images that are full of life, energy and joy.

My approach is documentary-led but not passive; letting moments unfold. I direct when it is needed - approaching portraiture with intention.

Portrait sessions are relaxed, involve movement and subtle direction. I’m led by the light on the day and the environment.

I use film at every wedding I shoot. It’s part of my workflow and is here to stay; I love that you have 36 exposures and have to use it with precision and purpose. There’s something human about using film.

What you're left with is a gallery that looks like your day actually happened and one that will be viewed by those closest to you.

{ Get in touch here }

"When he took us aside for our couple's shots, it never felt staged — it was just a genuine, intimate moment, and he captured it perfectly." - Nadine + Sam

Frequently Asked Questions

  • Fill in my form on my contact page. I will confirm my availability and send across a proposal.

    Before booking, we will arrange a brief call so I can better understand your day and your priorities for you celebration.

    Bookings are confirmed with a signed contract and a 20% retainer. From there, we stay in touch in a considered way in the build-up to your wedding. Either through planners or a short 1:1 call.

  • Yes.

    Whilst I am based in Yorkshire, UK, I travel all over the country and Europe capturing weddings.

  • Yes and I love to capture full days purely on film.

    For larger, multi-day weddings, where I am shooting exclusively on film, I bring a second photographer along when doing so.

  • When you have a date and your venue confirmed, I recommend getting in touch.

    Most couples enquire between six and twelve months in advance, particularly for peak summer dates.

  • Keeping extremely organised is key.

    Rolls are planned ahead of the wedding, as are the cameras that I use. Everything has a reason for being used at a set moment of the day.

    Typically on a day I shoot around 30% film and 70% digital.

    After the wedding, the film is sent with a reputable courier (tracking and signed for) to my trusted film lab of choice.

    Scans are the highest resolution available meaning they will print in the best quality.

    Negatives are archived appropriately and can be requested if needed.

  • Documentary-led with an editorial eye.

    Warm yet professional.

    Considered and planned approach to the day and balanced with the natural, free-flowing elements of the day.

    The result is a gallery that shows the day as it was felt as well as how it looked.

{ Get in touch here }